His famous plays Old Times, No Man's Land and Betrayal all center on loves past and present, where when memory pressures to invalidate past well-being it may demolish present happiness to the characters. My aim through this article is to propagate that Pinter has shown the power of the past and memory in this play. The Old Times is a stunning piece by the Nobel Laureate Harold Pinter, narrating the element of time, space and the related concept of memory of the dim distant past, which was first performed by the Royal Shakespeare Company at the Aldwych Theatre in London on June 1, 1971. His mobile, perceptive confrontation of some of the darkest themes of modern existence has hardly ever been matched to anyone. Pinter's mastery of the word, of peeling downs the English language to its most necessary and influential mechanism has been recognized by all his contemporary writers. It is difficult to measure Pinter's payment to modern drama, but it is very clear that he revolutionized the theatrical understanding. Bulk part of the literary circle emphasis Pinter as an absurdist, but the other part of Pinter's writing remains untouched. Harold Pinter may easily be considered the most challenging contemporary British dramatist.
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